“I would rather,” she answered. “They know that,” chimed in the man lying next to him; “or they would not drug us. Why, when we stormed La Haye I knew nothing until an ugly-looking German spat a pint of blood into my face and woke me up.”!

The medical staff consisted of a Dr. Poujoulet and two assistants. The authorities were always promising to send him more help, but it never arrived. One of the assistants, a Monsieur Dubos, a little man with a remarkably big beard, was a chemist, who, at the outbreak of the war, had been on the verge, as he made sure, of an important discovery in connection with colour photography. Almost the first question he asked Joan was could she speak German. Finding that she could, he had hurried her across the yard into a small hut where patients who had borne their operation successfully awaited their turn to be moved down to one of the convalescent hospitals at the base. Among them was a German prisoner, an elderly man, belonging to the Landwehr; in private life a photographer. He also had been making experiments in the direction of colour photography. Chance had revealed to the two men their common interest, and they had been exchanging notes. The German talked a little French, but not sufficient; and on the day of Joan’s arrival they had reached an impasse that was maddening to both of them. Joan found herself up against technical terms that rendered her task difficult, but fortunately had brought a dictionary with her, and was able to make them understand one another. But she had to be firm with both of them, allowing them only ten minutes together at a time. The little Frenchman would kneel by the bedside, holding the German at an angle where he could talk with least danger to his wound. It seemed that each was the very man the other had been waiting all his life to meet. They shed tears on one another’s neck when they parted, making all arrangements to write to one another. One day she received a letter from Folk. He had come to London at the request of the French Government to consult with English artists on a matter he must not mention. He would not have the time, he told her, to run down to Liverpool. Could she get a couple of days’ leave and dine with him in London.

“What’s he like in himself?” he asked her. “You’ve been seeing something of him, haven’t you?” Joan had difficulty in deciding on her own frock. Her four evening dresses, as she walked round them, spread out upon the bed, all looked too imposing, for what Mrs. Phillips had warned her would be a “homely affair.” She had one other, a greyish-fawn, with sleeves to the elbow, that she had had made expressly for public dinners and political At Homes. But that would be going to the opposite extreme, and might seem discourteous—to her hostess. Besides, “mousey” colours didn’t really suit her. They gave her a curious sense of being affected. In the end she decided to risk a black crêpe-de-chine, square cut, with a girdle of gold embroidery. There couldn’t be anything quieter than black, and the gold embroidery was of the simplest. She would wear it without any jewellery whatever: except just a star in her hair. The result, as she viewed the effect in the long glass, quite satisfied her. Perhaps the jewelled star did scintillate rather. It had belonged to her mother. But her hair was so full of shadows: it wanted something to relieve it. Also she approved the curved line of her bare arms. It was certainly very beautiful, a woman’s arm. She took her gloves in her hand and went down. He had a sweet, almost girlish face, with delicate skin that the Egyptian sun had deepened into ruddiness; with soft, dreamy eyes and golden hair. He looked lithe and agile rather than strong. He was shy at first, but once set going, talked freely, and was interesting.